{"id":465,"date":"2020-08-05T13:08:18","date_gmt":"2020-08-05T13:08:18","guid":{"rendered":"https:\/\/niekvanoosterweyck.com\/?p=465"},"modified":"2025-05-27T10:12:16","modified_gmt":"2025-05-27T08:12:16","slug":"tanzmanschine-techno-dance-film","status":"publish","type":"post","link":"https:\/\/niekvanoosterweyck.com\/nl\/tanzmanschine-techno-dance-film\/","title":{"rendered":"TANZMANSCHINE &#8211; THE FILM"},"content":{"rendered":"<div>\n<p class=\"whitespace-normal break-words\"><strong>ABOUT<br \/>\n<\/strong>Originally, <a href=\"https:\/\/niekvanoosterweyck.com\/en\/techno-dance-performance-tanzmanschine\/\">TANZMANSCHINE<\/a>, the techno dance performance, was slated to tour various theatre festivals. However, due to the COVID-19 pandemic, the project came to an abrupt halt. Seizing this obstacle as an opportunity, I decided to adapt the piece to a digital medium, ensuring its accessibility to anyone with an online connection. This coincided with a necessity to show the perspective of the machine, which remains invisible to the spectator of the performance. Together with Pieter Vandenhoudt, we developed <strong>Tanzmanschine &#8211; The Film<\/strong>. The film thus shows the performance from both the perspective of the machine and the perspective of the spectator.<\/p>\n<p class=\"whitespace-normal break-words\">This <strong>techno dance film<\/strong> aims to reveal the hidden technological layer that drives the live performance. While audiences witness Niek&#8217;s physical struggle in the metal arena, the machine&#8217;s computational processes remain unseen. The film bridges this gap by documenting both human and digital experiences simultaneously.<\/p>\n<p class=\"whitespace-normal break-words\"><strong>CINEMATIC APPROACH<\/strong><br \/>\nThe film stands as an independent work while remaining connected to the performance&#8217;s core themes of physical limitation, technological control, and liberation through sound.<br \/>\nThe cinematic approach made it possible to layer the light in multiple ways over the performance. The geometric shapes were ideal to experiment with. We could add multiple ghost-like Niek&#8217;s to highlight aspects of speed and nightlife blur. Adding darkness and a different lighting pop was a fun experiment during the creation process. Completing the transformation of the live<strong> techno dance performance<\/strong> into a visual film exploration of human-machine dialogue.<\/p>\n<\/div>\n<div>\n<p><strong>Concept &amp; Performance <\/strong><a href=\"https:\/\/niekvanoosterweyck.com\/en\/biography\/\">Niek Vanoosterweyck<\/a><br \/>\n<strong>Camera &amp; Edit <\/strong><a href=\"https:\/\/www.instagram.com\/p.vandenhoudt\/\">Pieter Vandenhoudt<\/a><br \/>\n<b>Geluidsontwerp<\/b> <a href=\"https:\/\/nl.ra.co\/dj\/ignota\">IGNOTA<\/a><br \/>\n<strong>Licht ontwerp<\/strong>\u00a0<a href=\"https:\/\/www.instagram.com\/hessels.light\/\">Hessel Hilgersom<\/a><br \/>\n<strong>Technische productie<\/strong>\u00a0<a href=\"https:\/\/www.instagram.com\/titusduitshof\/\">Titus Duitshof<\/a><br \/>\n<strong>Begeleider <\/strong><a href=\"https:\/\/companynewheroes.com\/nl\/profielen\/bas-van-rijnsoever\/\">Bas van Rijnsoever<\/a><strong><br \/>\nDank aan\u00a0<\/strong>Loes van der Pligt, Willem Weemhoff, Erik Lint, Fred Rodrigues<strong><br \/>\nMogelijk gemaakt door <a href=\"https:\/\/www.atd.ahk.nl\/opleidingen-theater\/mime\/\">Mime Education<\/a> &amp; <a href=\"https:\/\/www.atd.ahk.nl\/idlab\/\">IDlab<\/a><br \/>\nPremi\u00e8re op<\/strong> 30\/06\/2020 <strong>te<\/strong> <a href=\"https:\/\/www.atd.ahk.nl\/en\/graduates\/graduation-festival-re-connect\/#:~:text=On%2012%20March%202020%2C%20the,Academy%20for%20Theatre%20and%20Dance.\">re-CONNECT Festival<\/a><br \/>\n<strong>Uitgezonden op<\/strong> <a href=\"https:\/\/npo.nl\/aanbod\/npo2\">NPO2EXTRA<\/a><\/p>\n<\/div>\n<div>\n<blockquote>\n<div><\/div>\n<\/blockquote>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>ABOUT Originally, TANZMANSCHINE, the techno dance performance, was slated to tour various theatre festivals. However, due to the COVID-19 pandemic, the project came to an abrupt halt. Seizing this obstacle as an opportunity, I decided to adapt the piece to a digital medium, ensuring its accessibility to anyone with an online connection. This coincided with [&hellip;]<\/p>\n","protected":false},"author":57,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-465","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tanzmanschine - Techno Dance Film | Niek Vanoosterweyck<\/title>\n<meta name=\"description\" content=\"Tanzmanschine as techno dance film, this cinematic adaptation shows both human and machine perspectives of the live performance.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/niekvanoosterweyck.com\/nl\/tanzmanschine-techno-dance-film\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tanzmanschine - Techno Dance Film | Niek Vanoosterweyck\" \/>\n<meta property=\"og:description\" content=\"Tanzmanschine as techno dance film, this cinematic adaptation shows both human and machine perspectives of the live performance.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/niekvanoosterweyck.com\/nl\/tanzmanschine-techno-dance-film\/\" \/>\n<meta property=\"og:site_name\" content=\"Niek Vanoosterweyck\" \/>\n<meta property=\"article:published_time\" content=\"2020-08-05T13:08:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-27T08:12:16+00:00\" \/>\n<meta name=\"author\" content=\"Niek Vanoosterweyck\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Niek Vanoosterweyck\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/niekvanoosterweyck.com\\\/nl\\\/tanzmanschine-techno-dance-film\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/niekvanoosterweyck.com\\\/nl\\\/tanzmanschine-techno-dance-film\\\/\"},\"author\":{\"name\":\"Niek Vanoosterweyck\",\"@id\":\"https:\\\/\\\/niekvanoosterweyck.com\\\/en\\\/#\\\/schema\\\/person\\\/257082577d0e94d6179e2c92d94a12a4\"},\"headline\":\"TANZMANSCHINE &#8211; 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